General Guide Notes
The only reason that any production uses a helicopter is because the shot or sequence is important, so simply the most important aspect is who you select to supply you.
There are many companies that claim to be "specialised film flyers" and indeed there are some very good local operators. Many may well be telling the truth in claiming that they film several times a week, but only a few understand the difference between hand held shots for the local news and the co-ordination and skill levels required for feature film quality work.
There are a number of companies, cameramen and pilots who truly specialise in aerial work and using them will normally save time and money and produce better results.
In making your selection, only the genuine "specialist" companies will be able to provide a list of credits, references and/or a company showreel for recently completed work.
Getting a Quote
Provide as much detail as possible i.e. are there any special requirements, night flying or over water flights etc. More than any other area of filming, tiny requirement changes can produce huge cost variations
Choice of helicopters
Single or twin engined? As camera platforms, single engined helicopters are a reasonable cost, but on filming flights they may not work at night, in cloud, extensively over water, or over built-up areas such London (except on specified routes or directly over the Thames). For these areas and conditions a twin engined machine is required.
Both single and twin engined helicopters come in different sizes, all the interiors are small with very limited baggage space.
Mounts and Equipment
The hire cost of the better camera mounts is often offset by the efficiency they bring to a shoot, reducing helicopter flying hours and enabling work to take place in windier conditions.
There are various mounts available which will fall into 3 categories:
1. Fixed and tilting nose mounts. 2. 3. Sophisticated balanced side mounts, i.e. Tyler Middle and Major Mounts with Gyro Assist, Continental and the Kestrel. 4. 5. High tech gyro stabilised camera sphere, i.e. , Film and Video Wescam, Video Ultramedia. Film and Video Stab C.
Allow for the cost of a technician and at least two hours for fitting and one for removal of the mount. When fitted the mount becomes part of the helicopter, it must be 'signed off' by a licensed helicopter engineer.
Ideally it is best to consider the aerial team as a separate unit and not to plan to share camera equipment. |